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Book Review: 'Jitterbug' by Mike McQuay


 4 / 5 Stars

‘Jitterbug’ was published by Bantam Books in August, 1984; the cover artwork (which resembles something designed for a romance novel, rather than sf)  is by Enric.

I remember picking this book up in 1984, and thinking it was a decent read at the time. Nearly thirty years later, it’s still entertaining, and, in the light of events post-9/11, its vision of an Arab-dominated future doesn’t seem so outlandish.

The book is set in the year 2155, and the Arabs – and the Saudis, in particular – rule the world.

Their ascent to power has been engineered by the profligate use of a biological weapon called the ‘Jitterbug virus’. A highly transmissible, lethal herpesvirus, Jitterbug is stored in enormous domes centered in all the world’s major cities, and at any time, Faisel Al Sa’ud, ruler of the world, can order its release.

Vast tracts of the Earth’s continents are thinly peopled by the infected, outcasts, and other malcontents, who refuse to seek refuge behind the massive walls of the remaining cities.

As the novel opens, a young scavenger named Olson, idling by an East Texas highway, witnesses an act of casual brutality committed by Junex Catanine, a member of the corporate elite who manage the affairs of the ‘Light of the World’ (LOW) corporation – the Arab-owned business conglomerate that dominates the world economy.

Through luck, and some degree of backwoods courage, Olson finds himself taking Catanine’s place in the hierarchy of the LOW offices in New Orleans. Overnight, Olson has gone from a penniless wanderer, to a contender for power. But his rise to the top won’t be easy….

…..Rennie Du’Camp, an ambitious manager with a strong streak of psychopathology to his personality, has no intention of letting Olson elbow him out of the struggle to wield ultimate power in the LOW offices.

……Milander, a Jitterbug sufferer with a warped, Messianic attitude towards the suffering multitudes of the Infected, is assembling a vast army for a march on New Orleans. For he believes that only through the extinction of mankind, can the world be Redeemed.

….Abdullah Al Sa’ud, Faisel’s brother, has been forcibly uprooted from his Bedouin tribe in Arabia and sent to New Orleans to discover why LOW office’s accounts have been losing enormous sums of money. If he can’t uncover who or what is behind the embezzlement, he has orders to release the Dome in the city, and condemn all its inhabitants to death.

…..And to top it all off, it won’t stop raining, and the prospect of a disastrous flood looms large for New Orleans….

At 422 pages, ‘Jitterbug’ is a lengthy novel, and could have benefited from being 50 pages shorter. That said, author McQuay does a good job of keeping his chapters brief, and the narratives associated with several sub-plots are in constant motion. There are a number of well-written action scenes that arrive at just the right moments to keep the novel’s momentum going.

Also noteworthy in ‘Jitterbug’ is the inclusion of lots of sarcastic humor, much of it derived from a keen awareness of the Arab / Muslim’s mindset and world view.

Back when this book was written in 1984, only a tiny number of Westerners, much less Americans, had any real idea of what the concepts of ‘Arab’ and ‘Muslim’ actually meant. Thus, ‘Jitterbug’ offered an imaginative take on what few (including myself) suspected would eventually be a massive change in the World Order.

Nowadays, with jihadis and Wahabbis rampant in the Muslim world, and the populations of Western Europe confronting the rise of Eurabia, ‘Jitterbug’ has a prescient quality that marks successful science fiction.

Article 6

Article 5

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'YMCA' from the film 'Can't Stop the Music'


Released in June, 1980, Can't Stop the Music did poorly at the box office and quickly fell into feature-film oblivion. But nowadays it has emerged as a superlative example of unique late 70s / early 80s cheese.

The film was the brainchild of Hollywood producer Alan Carr, who made a substantial amount of money mining American pop culture's 'nostalgia craze' with the 1978 hit Grease.


In 1979, Carr decided to capitalize on the popularity of the 'disco craze' , by producing another musical, this one a campy sendup of 30s musicals. Carr's project would feature the Village People, one of the most high-profile and commercially successful disco groups of the decade of the 70s.

In May of 1979, when filming on Can't began, this seemed like a wise commercial move. Carr had no way of knowing that by the end of the year, the disco craze would be dying away, to more or less vanish by the Fall of 1980.

(Although, for reasons that are hard to fathom, the film was a big hit in Australia.)

Carr chose middle-aged actress Nancy Walker as the director. Walker had essentially no experience with filming a major studio production, which badly hampered the production. To make things worse, when on location in New York City, the production was confronted by angry gays, who thought it was part of the Al Pacino movie Cruising, that also was filming in the city at that time.

According to the 'cowboy' in the Village People, Randy Jones (author of the book 'Macho Man: The Disco Era and Gay America's Coming Out'), the making of Can't Stop was one giant [gay] party, that saw huge sums of money spent on everything and anything but.....making the actual film.

The highlight of the film was the music video sequence for the hit Village People song, 'YMCA'. 

Even today, the glimpses of Valerie Perrine siting topless, in a whirlpool, with the naked Village People playfully splashing water at her is......... more than surreal.




Be prepared to witness footage of the Village People, and the patrons of a 'health club', exercising in short-shorts, tube socks, cropped tee shirts, terrycloth short-sets, and doubleknit polyester track suits......the height of workout fashion in 1979 !


And now, here it is in all its cheesy glory......'YMCA' from the film Can't Stop the Music...... !


Jim 'Dragon' Kelly 1946 - 2013

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Jim 'Dragon' Kelly 1946 - 2013



Some sad news, as Blaxploitation film star, and karate legend, Jim 'Dragon' Kelly dies of cancer at age 67.

Below I've posted scans of a 1996 issue of David Walker's Bad Azz MoFo 'zine, featuring an interview with Jim Kelly. Along with a little 'Black Belt Jones' cartoon action.......





Book Review: Videodrome

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Book Review: 'Videodrome' by Jack Martin


3 / 5 Stars

This New English Library paperback edition of ‘Videodrome’ was published in the UK in July, 1983. ‘Jack Martin’ was a pseudonym for the well-known horror writer Dennis Etchison. 


(The US editions of the novelization paperback, with a cover illustration derived from the film poster, rather than playing up the Debbie Harry angle, are quite expensive, with used copies starting at $18).

The film was released in the US in early February, 1983, and it received considerable critical praise. However, Videodrome's  low-budget presentation was out of place with the expectations of the horror and sf viewership of the time, and it did poorly at the box office.

The novel is set in Toronto in the early 80s. Lead character Max Renn is the owner and producer of an independent TV station called ‘Civic TV’. Renn is essentially a sleaze merchant, constantly looking for cheap softcore porn and 'mondo' films, with which he can fill out the late night blocks of Civic TV’s broadcasting. 




Assisted by a video technician named Harlan, Renn covertly uses a satellite dish to steal video feeds from around the world, taping the pirated programs for release on Civic TV.

One day Harlan captures a brief segment of what appears to be a torture scene, originating from a broadcast
titled ‘Videodrome’, from Malaysia. The video’s creepy ‘feeling’ is exactly what Max is looking for in terms of newer, more disturbing material to fill the late night programming slots, and he instructs Harlan to try and capture more of the strange video. 



Appearing on a local talk show, Max encounters Nicki Brand, a pop psychologist who hosts a call-in radio show. Max Renn and Nicky become romantically involved, and Max discovers she is turned on by the torture video. When Harlan discovers the Videodrome broadcast is actually originating from Pittsburg, Nicky’s obsession with the video leads her to travel to the city to discover more about the company producing the broadcast. 


 


Max’s interest in the Videodrome broadcasts becomes more than simply mercenary in nature when he discovers that they are triggering vivid hallucinations
 
By now alarmed by the effect the Videodrome hallucinations are having on his waking hours, Max Renn probes deeper for answers to the nature and purpose of the broadcasts. What he discovers sends his life spiralling out of control. For Videodrome is not just an outlet for particularly disturbing snuff films. Videodrome’s ambitions are set on a societal transformation much more all-encompassing….and dangerous. 




Thirty years after its release, the Videodrome film holds up well, as does this novelization, which contains segments / scenes that failed to make the filmed script. These additional scenes help fill out some of the narrative, and give Videodrome a greater standing as a work of proto-cyberpunk.

Videodrome, which came out just a year in advance of 'Neuromancer', contains a number of cyberpunk tropes, such as the advent of a ‘virtual’ reality, and the use of a helmet-type device to allow the end-user access to his or her own perception of said VR. 




But both the film and, to some extent, the novel, avoid using the more stylized, noir-ish elements of early cyberpunk (e.g., Blade Runner) and rely instead on a grubby, lurid, low-budget aesthetic that seems truer to the genre, back when it was in its formative stages.

If you haven’t seen Videodrome, or your last viewing was a long time ago, it’s definitely worth checking out. Given the overstimulated, frantic nature of so many contemporary sf films, the low-budget, gritty packaging of Videodrome, and its satirical but unsettling approach to the passive nature of tv viewing, will seem fresh and novel.

Father Shandor: The Empire of Sin from Warrior No 6

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'Father Shandor, Demon Stalker'
'The Empire of Sin'
from Warrior (UK) No. 6, October, 1982


In this installment of the 'Father Shandor' series, our hero is dead, and his body interred in Hell. But his spirit refuses to yield.....

 


 


Enoch by Royo

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'Enoch' by Royo
from the July, 1983 issue of Heavy Metal magazine

 

Book Review: Random Factor

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Book Review: 'Random Factor' by Joel Henry Sherman


2 / 5 Stars

‘Random Factor’ (329 pp) was published by Ballantine / Del Rey in April, 1991; the cover artwork is by Paul Chadwick.

The book is comprised of two alternating narratives. One narrative deals with Casey Rourke, a soldier of fortune / jack of all trades whose assignment as a bodyguard to a diplomat goes awry. Rourke winds up taking on a job as the head manager, or 'Factor', for the Mael Station, a corporate-owned space station located in the distant, economically isolated southern arm of the galaxy.

The other narrative deals with a female alien named Rem Il Leera, a member of the Col race occupying a planetary system close to Mael Station. The Col have the physical form of an oversize amoeba, and infiltrate the bodies of semi-sentient animals residing on the Col home planet. This sort of benign parasitism allows the Col to perform physical activities otherwise unachievable in their native form.

There is ferment in the Col empire, as two strong-willed males are vying for control of the Col’s destiny. One male has entered into a clandestine alliance with a race of aggressive aliens, the Oolanian Unity, to control access to Mael Station. His rival dispatches Rem Il Leera to uncover the details of this conspiracy.

As the intrigue among the Col unfolds, it intrudes on the security of Mael Station and Casey Rourke’s well-being. In the absence of a space fleet to defend the Station from the designs of the Col and the Oolanian Unity, Casey Rourke will have to rely on guile and subterfuge to protect the Station and its populace. In essence, he is the ‘random factor’ that the Oolanian’s strategic plan has neglected to consider……

Author Sherman published two sf novels, and a number of short stories, in the 80s and early 90s. ‘Factor’ was his second novel, and it’s not a very accessible read.

This is due in large part to the author’s rigid adherence to the ‘Show, Don’t Tell’ mantra of fiction writing. 


Too many of the initial chapters of the book contain these types of sentences:

Gark looked up at the arching branches of the gunthath tree and listened to the cries of the beetha roaming its branches. His symbiont sniffed the air, pheromones of aggression starting to rise in its bloodstream.

What exactly is taking place here ? Who or what is Gark.....who or what is the 'beetha', and why is Gark bothering to hunt it......who or what is his 'symbiont'....why is the symbiont getting aggressive.....and what does this have to do with the plot ? 


Devoid of sufficient explication, these passages really don’t give the reader a coherent sense of what is taking place. The result is that the reader is laboriously forced to plow on through the narrative, relying on conversational asides, and irregular snatches of descriptive prose, to disclose who exactly Gark is; why he’s examining the gunthath tree; what his ‘symbiont’ is, etc., etc.

At times ‘Factor’ does overcome its obtuse prose structure, and becomes something of an entertaining read.

However, the buy-in to get to that point is, I suspect, too high to entice most readers to pick up this book.

'Heavy Metal' magazine, July 1983

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'Heavy Metal' magazine, July 1983




It's July, 1983, and MTV and FM radio are dominated by The Police and the massive success of the Synchronicity album. But there are also some good songs that aren't in heavy rotation, such as Robert Palmer's 'You Are in My System', which mixes New Wave synths with a funk beat.

The latest issue of Heavy Metal is on the stands, with a front cover by Liberatore featuring the 'Ranxerox' character from Italian comics, who was making his US debut in this issue.

In the Dossier, we learn of Dennis Hopper's venture into indie filmaking....





The reviews of horror novels include Peter Straub's 'Floating Dragon', and Stephen King's 'Christine'. Also receiving coverage are Karl Edward Wagner's 'In a Lonely Place' story collection (very hard to find, and very expensive, nowadays) and Michael Shea's 'Nift the Lean'. There's also coverage of sf novels featuring women as their main protagonists.





 Marilyn Chambers, and her new R-rated action film, garner attention....



 ....and there is a spotlight on the new Playboy Channel.

Snicker if you must at the idea of 80s people finding titillation in video of young nubiles in 'aerobics' gear, but remember, this was a year or two before the VHS - mediated delivery of porn became commonplace, and eons before anyone ever imagined that personal computers, with the aid of a descendent of ARPNET, would one day channel bountiful smut to everyone's home....




I've posted the Ranxerox comic below. Its garish coloration and 'street sleaze' approach to storytelling were very much in line with Eurocomic sensibilities in the early 80s. I'll post the succeeding installments here at the PorPor blog in the coming months.









 


'Contagious' by Charles Burns from Taboo No. 1

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'Contagious' by Charles Burns 
from Taboo No. 1


‘Taboo’ was a black and white horror comic anthology, nine issues of which were published, in trade paperback format, by Steve Bissette from 1988 to 1995.

Bissette saw the magazine less as a promising commercial venture (which it wasn’t), but rather, as an outlet for creativity otherwise not available to many of the artists and writers working for the major comic book companies. As well, there was a dearth of horror comics being published in the late 80s, and Bissette saw Taboo as filling a void.

Issue One, from Fall 1988, was something of a mixed bag. There were a number of worthy entries, as well as some real duds........I’ll be posting the better strips on a periodic basis. 


Leading off, is a nice little gem from Charles Burns, titled ‘Contagious’. This four-pager is a prequel of sorts to the enormously successful ‘Black Hole’ series that Burns would launch seven years later in 1995. 




The Odyssey by Navarro and Sauri

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'The Odyssey' by Francisco Navarro (writer) and Jose Sauri (art)

 



'The Odyssey' (64 pp) was published in hardback  by Heavy Metal magazine; the book is undated, but apparently was published in 2006. It compiles all the comics originally published in serial form in 1983 in Heavy Metal.

The story of Odysseus needs to introduction, but Navarro's adaptation is a serviceable treatment of the legend. It's the intricate pen-and-ink artwork of artist Jose Sauri that really makes this graphic novel impressive.



Since all we know visually about ancient Greece is what has come down to us as illustrations on vases, urns, tiles, and other items, Sauri adopts the same illustrative style. 

The result is artwork with an emphasis on contrasting blacks and whites and linework. Graytones are layered onto the linework in a well-designed manner.



In a sense, Sauri's artwork is as 'authentic' a depiction of ancient Grecian culture as any (and the Frank Miller comic and film 300 comes to mind here, but in my opinion, Sauri's draftsmanship is much more accurate, and visually pleasing).



'The Odyssey' is worth picking up, particularly if you are a fan of Eurocomics and quality graphic art. At present, copies are available from amazon, and from the Heavy Metal magazine website, for around $10 - $12 without shipping. 

Star Raiders

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'Star Raiders' by Maggin and Lopez
DC Graphic Novel No. 1, 1983


Throughout the early 80s, DC comics looked on with some degree of envy as Marvel exploited the popularity of Heavy Metal magazine by releasing first (in 1980) Epic Illustrated magazine, and then (in 1982) the Epic line of color comic books.


DC decided to get into the game in 1983 by publishing a series of Graphic Novels, priced at $5.95 and consisting of 48 pages. 


Rather than dealing with established characters and franchises in the manner of the Marvel graphic novels of the same era, the DC novels were based on original narratives, leaning heavily towards sf and fantasy content.

For its very first Graphic Novel, DC decided to release ‘Star Raiders’, based on the 1979 video game for the Atari 400 / 800 computer console. []Additional versions of the game were released in the 80s, and the most recent release, for the Xbox, PS3, and PCs, came out in May, 2011.]
 

 Written by Elliot S (!) Mangin (the presence of the exclamation point apparently is an artsy affectation) and illustrated by Jose Luis Garcia Lopez, ‘Star Raiders’ didn’t have much more than pixels from the video game with which to develop content. Accordingly, the book borrows quite heavily from Star Wars

It also has a juvenile character to it, featuring plenty of cute aliens; a pretty, New Wave-ish space chick with an eyepatch and a scarlet headband (early 80s sci-fi fashion ‘musts’); and a reserved approach to showing blood and gore. These are indications that DC was having some doubts about how far they wanted to go in emulating the ‘adult’ themes of the Epic and Heavy Metal franchises. 



 

Despite its rather trite plotting, ‘Star Raiders’ certainly has well-done, if underexposed artwork by Lopez, and if it can be found for just a couple of bucks (like my copy was) it might be worth picking up.



Out There Where the Big Ships Go

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Book Review: 'Out There Where the Big Ships Go' by Richard Cowper

3 / 5 Stars

‘Out There Where the Big Ships Go’ (191 pp) was published by Pocket Books in the US in October, 1980. The cover artwork is by Don Maitz. 

A shorter anthology, containing 'The Custodians', 'Paradise Beach', 'Piper at the Gates of Dawn' (later incorporated as the prologue of Cowper’s 1978 novel ‘The Road to Corlay’), and 'The Hertford Manuscript', was released in 1978 by UK publisher Pan Books.

Richard Cowper was the pen name of the English writer John Middleton Murray, Jr. Cowper released a number of sf and fantasy novels and short stories during the 70s and 80s.

All of the stories in ‘Out There’ were first published in various sf magazines in the interval from 1975 – 1980.

My summaries of the contents:

'Out There Where the Big Ships Go': a young boy, on holiday at a Mediterranean resort, comes to realize some sobering truths about the effect the introduction of an Alien philosophy has had on the Earth’s gestalt psychology.

'The Custodians': A monastery in a picturesque Southern European landscape holds some disturbing secrets about Man’s destiny.

'Paradise Beach': interesting variation on the theme of a landscape painting executed with such realism, you imagine you can step into it….

'The Hertford Manuscript': further adventures of The Time Traveler, from H. G. Wells’ novel 'The Time Machine'.

'The Web of the Magi': this novelette is an updated take on a H. R. Haggard tale. In the late 19th century, a doughty British Army officer comes upon a mysterious city sequestered in the remote mountains of Persia. Within awaits a beautiful sorceress, who holds deep secrets about Man’s fate in the Universe.

Like his contemporary, the UK sf author Michael Coney, Cowper produced well-written, carefully crafted fiction that used sf as a backdrop to explore psychological, emotional, and social interactions, rather than focusing on ‘hard’ sf themes and topics.

The entries in ‘Out There’ adhere closely to this mold; they are low-key in tone, and often embrace the melancholy, pessimistic atmosphere many English sf authors bring to their fiction.


Readers looking for sf with a more overt focus on action, and the dedicated  embrace of technology-centered themes that is characteristic of American sf, probably will be underwhelmed with the contents of ‘Out There’.

Kris Kool by Caza

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'Kris Kool' by Caza




I found out about 'Kris Kool', and Caza's webpage, via the 50 watts blog, a site devoted to offbeat book design and illustration. 

Caza's webpage is, of course, in French, but you can click on an English flag icon in the upper right corner to access the English language version. If you are a fan of Caza's works then be sure to check out the selection of eBooks available for download at affordable prices.

Among the older, out-of-print books available as eBooks is 'Kris Kool', Caza's first graphic novel / comic compilation. 'Kool' was published in 1970 by Eric Losfeld; printed copies are vanishingly rare. The eBook contains the entire original Kris Kool text, as well as supplemental material specially added to the eBook. [The price of 7 Euros translates into $9.00 US at current exchange rates.]

Reading Kris Kool is like stepping back in time to the late 60s and early 70s when I was a kid, and the psychedelic artwork epitomized by Peter Max (the pseudonym of German-born artist Peter Max Finkelstein) and the Beatle's film 'Yellow Submarine' were prominent.

However, even though he was just starting a career as a graphic artist, Caza's interpretation of the psychedelic art genre, as displayed in Kris Kool, is miles ahead of Peter Max.


The composition, draftsmanship, and coloration all are imaginative and pleasing to the eye. 

The text of Kris Kool is in French, but it's not necessary to know the language to get some idea of the plot. Kool is a sort of male, hippie, version of Barbarella.....


 
Caza inserts some adept visual humor, as in this scene involving a unique sci-fi 'love doll'..........
'Kris Kool' is well worth the download, which consists of both a pdf file, and an eBook file. I use Firefox's free eBook reader to view the book on my PC, and the preinstalled Lumiread software to view the book on my Acer (Android) tablet.

'Peace' by Caza

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'Peace' by Caza
from the July, 1983 issue of Heavy Metal magazine










Book Review: The Castaways of Tanagar

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Book Review: 'The Castaways of Tanagar' by Brian Stableford


2 / 5 Stars
  
‘The Castaways of Tanagar’ (319 pp) was published by DAW Books in April, 1981. The cover artwork is by H. R. Van Dongen.

Thousands of years after its founding, the colony world of Tanagar sends forth an expedition to the motherworld, Earth, to see if the planet has survived the Atomic Wars. The Tanagarians discover that the Earth has survived not just the wars, but also the geological upheavals that reshaped the landscape. Civilization has re-started itself, in the form of the Eurasian republic of Macaria, where technology has reached a level equivalent to that of the 1930s.

The intellectual elite that governs the Tanagaran expedition prefers to avoid an overt re-introduction to Terran society. Instead, an Away Team is to be secretly inserted into the countries making up what used to be North Africa. The goal of the Away Team: seek ways to covertly influence Terran society, in order to set it on an accelerated path towards technological progress.

The members of the Away Team are in no sense ‘ordinary’ Tanagarans. In fact, they are criminals, who had been sentenced to indefinite periods of suspended animation as punishment for felonies, such as murder and rebellion, committed on Tanagar. In exchange for agreeing to serve on the Away Team, these ‘castaways’ of the book’s title must resign themselves to spending the rest of their lives on the fractious motherworld.

Early on in the narrative, members of the Away Team find themselves split up, and forced to rely on their wits and stratagems in order to survive. One sub-plot revolves around the adventures of Cheron Felix, who has spent 8,000 years in suspended animation; Sarid Jerome, a revolutionary; and Vito Talvar, a young man of fatalistic bent.

The other sub-plot deals with the tribulations of two officers who inadvertently find themselves stranded on Terra: Cyriac Salvador, a Tanagarian equivalent of Mr Spock; and Teresa Janeat, a young woman unused to the rigors of life outside a spacecraft.

Will the Castaways be able to integrate themselves into their host societies and begin their work of genial subversion ? Will Salvador and Janeat find their way to the secret Tanagaran redoubt in the northern wilderness of Macaria ? Or will the best-laid plans of the Tanagarians come for naught when the inheritors of the Earth realize that there are people from the stars walking among them ?

At its heart, ‘Castaways’ could have been a routine, but engaging, sf adventure. Unfortunately, author Stableford decides to turn lengthy sections of his novel into forums in which he can declaim – in the form of conversations or monologues – on ‘deep thoughts’ concerning the rise and fall of civilizations and political systems. As well, Stableford frequently expounds on the ever-present contradictions between the base nature of Man, and the promise of enlightened Humanism. These tedious discourses sap momentum from the narrative, and make reading ‘Castaways’ a less than rewarding experience. 


Things do improve a bit in the last 40 pages, when a number of surprise revelations make an appearance, but these seem more than a little contrived. Throw in a utterly out-of-place episode of drug-induced, psychedelic ‘discovery’, and the inconclusive nature of the final chapters, and it’s hard to give ‘The Castaways of Tanagar’ a ‘must-have’ recommendation.

Luther Arkwright and Harry Fairfax

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Luther Arkwright and Harry Fairfax
by Bryan Talbot
illustration from The Adventures of Luther Arkwright No. 4 
Dark Horse Comics, June 1990


Showing inspiration from such sources as Gustave Dore and William Hogarth ('Gin Lane'), the intricate pen-and-ink draftsmanship of this one-page panel by Bryan Talbot shows Harry Fairfax (left) and Luther Arkwright (right) making their way through London's Shoreditch neighborhood. 

Albeit a Shoreditch in an alternate 1970s London, where Nathaniel Cromwell, the descendent of Oliver Cromwell, rules England, and Royalist sympathizers and rebels hole up in the slum warrens of Shoreditch, there conspiring to overthrow the Puritan regime, and place King Charles III on the Throne..........

Book Review: The Stone God Awakens

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Book Review: 'The Stone God Awakens' by Philip Jose Farmer

 
3 / 5 Stars

‘The Stone God Awakens’ was issued in paperback by Ace Books in July, 1973, with a cover illustration by J. H. Breslow. 

Artist Bruce Pennington provided a particularly well-done illustration for the (UK) Panther Books 1976 edition:


During the New Wave era, Philp Jose Farmer produced two types of novels: straightforward sf adventures primarily written for commercial purposes; or artier pieces designed to display his aptitude at ‘speculative fiction’.

‘Stone God’ belongs to the former category.

The premise is not particularly original: it’s 1985, and at Syracuse University, Ulysses Singing Bear, a biophysicist with a part- Iroquois ethnic background, is experimenting with a novel ray capable of ceasing all molecular activity its targets. 


Ulysses makes a fateful mistake and is struck by the ray. Instantly he is transformed into a man of ‘stone’, indestructible and unmoving. Time has no meaning for Singing Bear in his suspended animation.

Upon awakening, Singing Bear finds himself inside a crude temple, in the midst of a violent conflict between tribes of 'cat people', who revere him as ‘The Stone God’. Singing Bear discovers that the land around him is occupied by various other races of Manimals, all of whom operate at a stone-age level of technology. He suspects that millions of years have passed while he was in his frozen state.

Using his superior scientific knowledge, Singing Bear is able to organize the disparate tribes of Manimals into a single nation, loyal to his commands. He then embarks on a journey to discover the secrets behind Wurutana, the enormous tree, up to 13,000 feet high, with branches hundreds of yards in diameter, that covers most of the continent.

Regarded as a God by the races that live within its branches, Wurutana is gradually extinguishing what remains of civilization. Its relentless outward growth is pushing the towns and cities of all sentient races into a marginalized life at the coastland, where the salt water deters the tree from extending its roots.

Unless Ulysses Singing Bear can discover a way to defeat the tree, the Manimals of this far-future Earth will be consigned to life as nothing more than aphids, eking out an existence as parasites on the bark of a massive plant………… 


At 190 pp in length, ‘Stone God’ is a quick read, and a mildly interesting sf adventure. With its unadorned, declarative prose style, it was clearly an effort by Farmer to write something that paid the bills. That said, the novel’s climax, involving an extended battle scene, is well-written, and superior in many ways to much of the dedicated New Wave fiction Farmer produced in this era.

All This and Frank Sinatra, Jr, too

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All This and Frank Sinatra, Jr, too
by Drew Friedman
from the August, 1983 issue of Heavy Metal magazine

Heavy Metal August 1983

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'Heavy Metal' magazine, August 1983

 

 
August, 1983, and in heavy rotation on the FM stations, and on MTV, is Loverboy's 'Hot Girls in Love'. Cheesy as it was back then, it's substantially better than anything in the top 40 nowadays.

The latest issue of Heavy Metal is on the stands, with a remarkably insipid front cover illustration by Greg Hildebrandt. It was now becoming quite clear that the HM editorial staff had decided to exclusively promote a pinup theme for each and every front cover, a departure from the way things were done in the first several year's of the magazine's existence. The arresting, artistic covers of 1978, 1979, and 1980 were to be faint memories from now on.

Jay Muth provides the back cover.

The advertising features a full-page ad for the latest Iron Maiden album, 'Piece of Mind'; it's an unwitting and unintentional nod to 'Spinal Tap'.


 For those deeply moved by the Hildebrandt cover, posters are available:


There also is an advertisement for some film I've never heard of, called 'Private School for Girls'. Phoebe Cates does look nice..... 



After its heavy coverage of rap, the Dossier now turns to R & B, and we lead off with coverage of Prince Nelson Rogers (just beginning his rapid rise to fame), and Marvin Gaye.




Then there is coverage of graffiti artist - if that's the right word - Keith Haring, one of the decade's greatest art poseurs. He would die from AIDS in 7 years.





Ed Naha waxes enthusiastic over an indie, low-budget film-maker named Alan Arkush and his film 'Get Crazy'. I've never heard of it before or since......




 And the Dossier closes out with a review of some awful underground / indie comics.....
 


Among the comics appearing in the August issue are continuing installments of  'The City That Didn't Exist', by Bilal; 'The Odyssey' by Navarro and Sauri; 'Zora' by Fernandez.

Among the better entries was another 'El Borbah' tale by Charles Burns, that I've posted below.








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