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Book Review: The Garments of Caean

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Book Review: 'The Garments of Caean' by Barrington J. Bayley


4 / 5 Stars

I picked this book up, along with another 10 treasured old paperbacks, at the Utah Book and Magazine store on 327 S. Main Street in Salt Lake City this past October.

'The Garments of Caean' first was published in 1976; this DAW Books version (206 pp) was released in February, 1980.

Upon first glance, the cover artwork, by H. R. Van Dongen, is unimpressive. It makes the book seem like yet another entry in humorous sf, the kind of book regularly written by Ron Goulart, and published by DAW, throughout the 70s.

However, the adage 'don't judge a book by its cover' makes sense here, because 'Garments' is actually a very readable examination of anthropology and sociology within the framework of a space opera, offering a more imaginative approach to this sub-genre then most other works of its era.

As the novel opens, Peder Forbarth, a resident of the planet of Ziode, finds himself filled with trepidation. He has reluctantly teamed up with the notorious smuggler Realto Mast, to make a clandestine space voyage to the remote world of Kyre. There, Forbarth is explore the site of crashed spaceship, a spaceship originating from the planet Caean. 

Caean is famed through the system for the style and textures of its clothing; however, few retailers on other planets have access to Caean inventory. Forbarth's mission is to locate the downed spaceship and loot its hold......a hold crammed with all manner of Caean clothing. 

Although Peder Forbrath is a corpulent, timid man whose main occupation is as a clothing salesman and tailor, he braves the dangers of Kyre and succeeds in emptying the hold of the crashed spaceship. He selects as his reward seemingly modest article from the haul: a single suit of clothing.

But this is no ordinary suit; it is in fact a suit of wondrous Prossim cloth, a rare fabric whose origins are known only to the Caeans. And the suit selected by Forbarth is one of only five ever crafted by the finest tailor in the known worlds, Frachonard.

Once clad in his Frachonard suit, Peder Forbarth finds himself possessed of a new confidence....a new sense of self-worth, a new willingness to embrace, and overcome, life's challenges. As Forbarth embarks on a new career as a stylish 'man about town', easily mingling with the upper crust of society, he learns that a man is clad in Caean clothing, the clothes do indeed make the man.

But for Peder Forbarth, donning the Frachonard suit is only the beginning. For there is a troubling mystery underlying the evolution of Caean, its society, and its fashion sense. And as Forbarth and his fellow citizens of Ziode are going to discover, there is much more than what meets the eye when it comes to Caean clothing.....

'The Garments of Caean' is first and foremost an effort by Barrington J. Bayley to emulate Jack Vance. The narrative routinely makes use of a large assembly of eccentric, obscure adjectives, and adopts the same dry, slightly sardonic narrative tone that characterizes's Vance's literary style. The inclusion of a character named Realto Mast pays tribute to the Vance character 'Rhialto the Marvellous'.

However, Bayley also displays his own innate skill and worthiness as an author. While it focuses on anthropology and sociology in terms of its scientific focus, 'Garments' avoids getting bogged down in the sort of exposition that tends to render other sf novels addressing these themes dull and plodding. 

'Garments' is filled with offbeat, imaginative passages that transcend the typical space opera. There is a gruesome 'Planet of Flies'; deep-space-dwelling races of highly modified humans who engage each other in brutal warfare; a planet with an ecology that that has evolved sonic weaponry; and a prison planet, from which escape is seemingly impossible.

This is the first Bayley sf novel that I've ever read. Some critics call him one of the overlooked talents of late 20th century sf. Whether or not this is true, I certainly will be checking out his other novels in this regard.

Occupied Spaces

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'Occupied Spaces'
by Brad Johannsen


If, during the late 70s, you opened a copy of the Publishers Central Bureau mail order catalog of remaindered and overstocked books.....



.....you were certain to see listed one Occupied Spaces, a book of psychedelic artwork by Brad Johannsen.


Occupied Spaces (48 pp) was published by Harmony Books, a sub-imprint of Crown Books, who were the kingpin of remainder publishing and marketing in the 70s. They remain a force in retail bookselling even today, providing the 'bargain books' titles you see on the tables at the front of every Barnes and Noble.




Spaces contains some striking, intricate artwork, interspersed with excerpts of text and poems from sources as diverse as Arthur Rimbaud, science writer Louis Thomas, 'The Practice of Zen', and Johannsen himself.



Needless to say, Spaces belonged to that unique category of '70s stoner' art that Heavy Metal was soon to represent in such mannered glory......




Whether you are motivated by nostalgia, or the desire for appropriate visual accompaniment to getting stoned, Spaces is worth investigating. Copies in good condition can be had from your usual online retailers for reasonable prices.





Johannsen provided cover artwork for a number of books and record albums during the 70s, including High Tide, an illustrated compendium of stories and poems from Herman Hesse and Lao Tzu (.......very 70s.......). Unfortunately, used copies of High Tide are very pricey (starting at $95).


Interestingly, one of the reviewers of High Tide at amazon relates an anecdote about meeting Johannsen:

I happened to meet Brad Johannsen in a conference room floating about the New York Public Library, where he opened a drawing book, borrowed some colored pencils from the art department, and instantly created a cover for a small booklet ... for cash (Brad was broke). Brad didn't own a single copy of his own books, and he had an interview coming up... so we agreed to meet again and I gave him my copy of his second book, Occupied Spaces.

Unfortunately, online searches for additional information about Brad Johannsen turn up little else. He was present when someone met Steve Wonder......and that's about all I could find.

Book Review: The Year's Best Fantasy Stories: 2

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Book Review: 'The Year's Best Fantasy Stories: 2' edited by Lin Carter 

4 / 5 Stars

‘The Year’s Best Fantasy Stories: 2’ (192 pp) was published by DAW Books (No. 205) in August, 1986, and features cover art by George Barr.

I got my copy way back in August, 1976, when I saw it on the shelves among the other sf paperbacks at Gordon’s Cigar Store. At the time, I found it to be one of the better DAW anthologies. Upon rereading it nearly 40 years later, how does ‘Year’s Best Fantasy 2’ hold up ?

One thing that has become quite clear over the intervening years is that in 1976, as far as publishers were concerned, the category of fantasy was very much a sub-genre of sf. Most mass market paperbacks that dealt with fantasy were either the Lord of the Rings trilogy, or ancillary titles associated with that work. Aside from the LOTR, there might be some barbarian adventure titles on the shelving, but that was pretty much it. The idea that one day, much of the shelf space at major book retailers would be devoted to fantasy, would have seemed …..well……. fantastical.

The stories in ‘Year’s Best Fantasy 2’ all were first published in 1975, and at that time, print outlets for such stories were few. Most of the stories appeared in digest magazines like The Magazine of Fantasy and Science Fiction, small press magazines like Anduril, or anthologies from specialized publishers like Arkham House.

Most of the stories in this anthology are as much horror stories as they are fantasy, a reflection of the fact that in 1975, the genre was still centered on the tropes inherited from the pulp era.

In his Introduction, editor Lin Carter commiserates over the failure of T
he Silmarillion, the fabled Tolkein epic perpetually In Preparation, to be released in 1975 (the book came out in 1977 and turned out to be remarkably dull). 

Carter is encouraged by the bestseller status of Richard Adam’s 1975 fantasy novel Shardik (which also was a colossal bore).

The stories:

The Demoness, by Tanith Lee: self-consciously overwritten, but entertaining, tale of a female vampire.

The Night of the Unicorn, by Thomas Burnett Swann: an allegory set in Mexico’s Acapulco region.

Cry Wolf, by Pat McIntosh: Thula the warrior maiden meets a shadowy pair of adventurers. A fast- moving, and effective, sword-and-sorcery tale.

Under the Thumbs of the Gods, by Fritz Leiber: unremarkable Fafhrd and Mouser story; our heroes mourn lost loves.

The Guardian of the Vault, by Paul Spencer: a warrior is assigned a very special guard duty. One of the better entries in the anthology.

The Lamp from Atlantis, by L. Sprague de Camp: mild horror story about a fabled talisman. Surprisingly well-written, for a piece of de Camp short fiction.

Xiurhn, by Gary Myers: Lovecraft / Clark Ashton Smith homage involving an outcast mage who seeks vengeance on his tribe. Ponderous prose.

The City in the Jewel, by Lin Carter: as the editor of the ‘Year’s Best Fantasy’ series, Carter had no real scruples about promoting his own work. Sometimes his work was awful. But this ‘Thongor’ story, although employing a self-consciously ‘pulp’ –style prose, is reasonably entertaining.

In ‘Ygiroth, by Walter C. DeBill, Jr: Another Lovecraft-inspired tale about dark doings in ancient lands. Competent, if not all that memorable.

The Scroll of Morloc, by Clark Ashton Smith: this story was actually written by Lin Carter, one of a number of putative Smith tales Carter fabricated from plot scraps and titles from Smith’s posthumous belongings. The value of churning out a Smith pastiche is questionable; readers should prepare to encounter a remarkably constipated vocabulary, including words such as ‘jungle-girt’, ‘zenithal’ (pertaining to the zenith of astronomical bodies), ‘antehuman’, ‘thaumaturgies’, ‘shamanry’, ‘desuetude’ (to fall into disuse), and ‘protoanthropophagi’, among others.

Payment in Kind, by C. A. Cador: the corrupt citizens of a desert city receive their comeuppance. Another of the better entries in the anthology.

Milord Sir Smiht, the English Wizard: a ‘Dr. Eszterhazy’ story about an eccentric mage operating in Davidson’s proto-Steampunk version of late 18th century Central Europe. It relies on humor; unremarkable.

Summing up, ‘The Year’s Best Fantasy Stories: 2’ is one of the more rewarding volumes in the series. Well worth picking up.

Heavy Metal magazine January 1985

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'Heavy Metal' magazine January 1985



January, 1985, and on MTV, you can watch the latest video from Hall and Oates: Method of Modern Love'. Like so many of their videos, it's super-cheesy, but at the same time, a great rock song.

In the latest issue of Heavy Metal magazine, which features a front cover by Liberatore, there is not much worth noting in the 'Dossier' section, save for the book review page, titled 'Cystal Balls', which critiques two great 80s sf novels. 

Mike McQuay's Jitterbug (my review here) is hailed as  "...a scream - very hip, and deadly on-target about office politics and geopolitical behavior."

Sadly, the reviewer has much less praise for Harry Harrison's West of Eden, calling it a "hatchet-job", and "......Dino the Dinosaur Battles Tarzan the Apeman for the Fate of the Earth, a 481-page hardbacked sleeping pill...."



As far as the comics go, this issue of HM has new installments of "The Walls Of Samaris" by François Schuiten, "Tex Arcana" by John Findley, "The Hunting Party" by Pierre Christin and Enki Bilal, plus new material such as "Trance-End" by Lindahn and Lindahn, "Marlowskitz: Detective: Rock" by Riccardo Buroni and Ugo Bertotti, and the opening segment of a new El Borbah story, "El Borbah: Bone Voyage", by Charles Burns. All in all, a decent issue.

Here is that opening installment of 'El Borbah: Bone Voyage':







Book Review: Patterns of Chaos

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Book Review: 'Patterns of Chaos' by Colin Kapp


Award Books paperback, 1973

4 / 5 Stars

‘Patterns of Chaos’ first appeared as a serial in Worlds of If magazine in 1972. This Ace Books paperback (277) was published in May,1978, and features a cover illustration by Paul Alexander. 


[A quasi-sequel, The Chaos Weapon, was released in 1977 by Del Rey Books.]

As the novel opens, a young man named Bron awakens from a coma to discover that Onaris, the planet on which he is residing, is under attack by the rapacious fleet of the Destroyers. As phaser bolts rain down on the city, loosed by Destroyer cruisers circling in orbit, a confused and bewildered Bron discovers that he has 'voices' in his head- voices that originate from miniaturized transmitters surgically implanted in his brain.

The voices emanate from a distant team of three monitors of the Special Assignments Group of the Federation, three monitors who see everything Bron sees, and hear everything he hears. The monitors are able to carry out sub-vocal conversations with Bron; from these exchanges, Bron gradually discovers that he is the most highly trained secret agent in the Federation’s Stellar Commando unit. His mission: pose as Ander Haltern, a philosopher and theoretician of marked genius, and the leader of a religious cult on Onaris.

For reasons that are unknown, the Destroyers seek Ander Haltern. Posing as Haltern, Bron succeeds in being taken prisoner, and is held aboard the Destroyer flagship. There he learns the purpose of his Federation mission: discover the location of the Destroyer’s home base, so the Federation fleet can mount a devastating attack, and remove the menace of the Destroyers once and for all.

However, while aboard the Destroyer flagship, Bron joins its crew in witnessing a catastrophic event: a ‘hellburner’ nuclear missile strikes Onaris, and incinerates the entire surface of the planet....... and its population of 200 million. Initially, Bron accuses the Destroyers of the atrocity. But when Cana, leader of the Destroyers, invites Bron to analyze the missile’s trajectory, Bron comes to a startling conclusion. The hellburner didn’t originate from any Destroyer ship…..but was launched from the distant Andromeda galaxy, 700 million years ago.

Using his genius at understanding nonlinear dynamics – his ability to discern, and predict,  ‘the patterns of chaos’ – Bron shoulders the burden of confronting an attack from a distant, alien enemy – one armed with weapons far beyond the technology of the Federation…..

For a novel written at the height of the New Wave, ‘Patterns’ is surprisingly well-written and well-plotted, reflecting author Kapp’s preference for writing hard sf, although in this case with a proper leavening of styles derived from the New Wave. In practical terms this means that the narrative, while at heart a straightforward space opera, includes segments in which the hero undergoes psychic / paranormal phenomena which are related in a more ornate prose style.

As well, the author routinely employs adjectives and adverbs drawn both from the chemistry literature, and the more obscure sections of a thesaurus. Be prepared to encounter ‘anserine’ (goose-like), ‘eutectic’ (melting point of a substance), ‘thixotropic’ (fluids that thin when stirred), and ‘sonorous’ (producing sound), among others.

Having a protagonist with schizophrenia (albeit a unique type of schizophrenia) is the height of New Wave storytelling fashion, but I quickly grew tired of this 
plot device. These conversations, indicated in italic font, come so frequently throughout 'Patterns', and are so lengthy, that they quickly become an annoyance and a distraction to the narrative. 

Overall, however, ‘Patterns of Chaos’ is a consistently interesting and imaginative space opera, with an offbeat ending that ties things together without being contrived. 


When compared with the bloated, over-written space operas that dominate the store shelves nowadays (and the novels of Alistair Reynolds come readily to mind here) it’s a deserving read, and a book well worth searching out.

Mythopoeikon

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Mythopoeikon 
by Patrick Woodroffe


Patrick Woodroffe passed away last May, at the age of 73. During the 70s and 80s, Woodroffe as a familiar figure to sf fans, as his distinctive artwork was used on the covers of many Pan Books paperbacks in the UK, as well as for a number of publishers in the US.





Back in the late 70s, there were few trade paperback or hardbound books devoted to SF or fantasy art on the store shelves, a situation quite different from things nowadays, where the SF section of Barnes and Noble has a healthy selection of these kinds of books.

So ‘Mythopoeikon’, with its arresting blue-green cover, certainly stood out on the shelves when I saw it on the shelf at my local Waldenbooks in 1978.







'Mythopoeikon' (155 pp., Paper Tiger, 1976) showcased Woodroffe's commercial art for book covers and album covers, and also his studio artworks and mixed-media pieces. Woodroffe, who was self-taught, was not as adept at drawing human figures as, say, Boris Vallejo, nor as adept at drawing spacecraft or other hi-tech subjects as Chris Foss or Angus McKie. But in terms of coming up with imaginative and eye-catching designs and compositions he was quite skilled and innovative; witness his distinctive image of floating smiles for the cover of the George R. R. Martin book ‘A Song for Lya’.


Woodroffe used a variety of media to produce the works presented in Mythopoeikon, including oil, gouache, crayon, and something he called ‘marbling’. I’m sure that considerable time and effort went into creating such intricate designs, particularly in the era before Photoshop made it much more feasible for artists to incorporate these features as digital effects.





'Mythopoeikon', along with a number of other books of his artwork issued over the past few years, can be obtained for reasonable prices from your usual online vendors.

Don't be surprised if you find yourself moved to purchase an sf or fantasy or horror novel because its Woodroffe cover is eye-catching and intriguing - it's a measure of how skilled he was as an illustrator of this genre.





The Appointment by Angus McKie

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The Appointment 
by Angus McKie
from Comic Tales, Tyneside Free Press (UK), 1988



'Comic Tales' is a UK trade paperback (52 pp; 1988) that compiles a number of Angus McKie's comics. I recognize some of the entries as comics that McKie published in Heavy Metal in the early 80s, but others I have never seen before (the book's contents / indica pages provide no information on the origin of the material). 

The contents are: 'Wurtham View', 'Tales of the Zen Masters', 'Tales of the Sufi Masters', 'The King and I', 'The Appointment','Superhero', 'Spirit of 67', 'Legend of the Magic Tone- Box', and 'Power to the People'.

Below is 'The Appointment', which mingles a well-known legend / fable with some great artwork and coloring from McKie.




An East Wind Coming-advertisement

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An East Wind Coming
advertisement for the novel by Arthur Byron Cover
published by Berkley Books, November, 1979
cover art by Boris Vallejo
Heavy Metal magazine, February, 1980



Book Review: Trekmaster

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Book Review: 'Trekmaster' by James B. Johnson


3 / 5 Stars

‘Trekmaster’ (397 pp) was published by DAW Books (DAW book No. 719)  in September, 1987. The cover artwork is by Michael Whelan.

After conflict and chaos caused the Federation to sever contact with its far-flung colony worlds for generations, the advent of political and economic stability has allowed the Federation to reach out to its long-lost constituents and welcome them back into the fold.

On the planet of Bear Ridge, its colonists, of hardy North American stock, have negotiated the long period of isolation by exhibiting a particularly tough strain of self-reliance. Although technology on Bear Ridge has reverted to a 19th century level, its King, Thomas Jefferson Shepherd, has succeeded in uniting its historically fractious duchies and principalities and petty kingdoms into one nation. Shepherd's goal: convince the Federation that Bear Ridge is worth admittance.

As the novel opens, a Federation sociologist named Sharon Gold has been stationed on Bear Ridge, there to observe Shepherd's leadership, and to recommend whether Bear Ridge should be granted admission to the Federation and all its technological know-how. 


T. J. Shepherd is confident he can charm Sharon Gold into granting his planet admission. For not only is he one of strongest, most experienced, and most ruthless warriors on Bear Ridge, but beneath his bull-headed personality, he is calculating and careful.
 

But Shepherd has carefully concealed a number of the more troubling issues affecting Bear Ridge from the attention of Sharon Gold. And unfortunately for Shepherd, his efforts to manage these issues, while convincing Sharon Gold of his planet's worthiness for Federation admission, are going to lead to violence............and the end of his own kingship......

'Trekmaster' is primarily an adventure novel, although it does showcase the political philosophies of its author, being an argument for the necessity of an autocratic ruler (rather than a participatory democracy) when times call for quick and effective decisions on life-and-death matters. 

Author James B. Johnson has quite a bit of fun mocking liberals, and their willingness to cloak actions made for their own interests with fawning rhetoric about 'representing the people'.

But Johnson also applies a note of ambivalence, even satire, to the attitudes of T. J. Shepherd and his close friend and confidante (who is tellingly named 'Summer Camp'). Shepherd is not only impatient with political maneuvers and protocols, but he is unwilling to acknowledge his own mistakes. These flaws tend to result in one avoidable complication after another, hampering his efforts to show the populace of Bear Ridge that he, and he alone, knows what is best for them.

'Trekmaster' starts off well, but its middle section tends to drag, as the ongoing political and familial intrigues grow more complicated and leech momentum from the narrative. Things don't really pick up until the novel's final 40 pages, when external and internal conflicts come to a head and can only be resolved with bloodshed.

Summing up, if you have the patience for a lengthy novel that is primarily character-driven, with a circumscribed landscape upon which various dramas and intrigue play out, then you may find 'Trekmaster' rewarding. 

It's conservative-embracing political philosophy certainly is a rarity among sf literature, and that also may make this novel worth investigating.

Book Review: Guardian

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Book Review: 'Guardian' by Thomas F. Monteleone


2 / 5 Stars

‘Guardian’ was first published in hardcover by Doubleday in September, 1980; this Fawcett Popular Library paperback (190 pp) was published in October, 1981 and features cover artwork by Paul Alexander.

The novel is set in Earth’s far future, thousands of years after Armageddon destroyed civilization. In the more remote and wilder places of the world, there are vast deserts where the rusting hulks of war machines litter hundreds of square miles, evidence that the Ancients unleashed a lasting and terrible destruction upon themselves. But Mankind has arisen once again, and the world is at a late 19th century level of technology, although some machines of the Ancients are still intact, the objects of wonder and veneration.

Varian Hamer is a young sailor and soldier of fortune who finds himself seeking greater purpose in his life than simply traveling from one port to another. One day, while waiting for his ship, The Courtesan, to set sail from the quays of the city of Mentor, Hamer observes an old man in a monk’s robe purposefully moving about the dock. 


Hamer is intrigued when the old man, named Kartaphilos, approaches him with a request: search the world’s wastelands for the location of the massive citadel housing the Guardian, a super-computer that retains all the knowledge and technology of the Ancients. For the man who finds the Guardian, and unlocks its secrets, will be positioned to transform the world and all its inhabitants.

At first skeptical, Hamer finds himself convinced when Kartaphilos shows him technology far advanced from any in existence in the known world. Accompanied by the stunning Tessa, the aged but experienced world traveler Stoor, and the mute but talented Raim, Hamer embarks on a quest to find the Guardian.

When the team finally does locate the impressive Citadel and the Guardian within its halls, they discover that far from being an inert, passive instrument awaiting its rebirth at the hands of the descendents of its builders, Guardian is very much concerned with its own plans for the future of the human race………

‘Guardian’ is one of Thomas F. Monteleone’s earlier novels and is comparatively weaker than his later works. The sf and adventure elements of the novel drive the narrative for the first half of the book, but after the encounter with the Guardian, which takes over at mid-point, the remaining chapters are really just a backdrop, against which the authors places overly labored expositions about Man’s Fate in the Universe, and what is required for an otherwise all-knowing, omnipotent AI to understand what it means to Be Human.

I can’t say that ‘Guardian’ is a must-have, but readers looking for a quick, but not overly innovative read that revolves around some of the more common tropes of sf may find the book worthwhile. If you do, you may want to try its sequel, ‘Ozymandias’ (1983).

Epic Illustrated February 1983

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Epic Illustrated 
February, 1983
No. 16



February, 1983, and the latest issue of Marvel's Epic Illustrated showcases former Marvel / Conan the Barbarian artist Barry Windsor-Smith; the cover art is titled 'Self Portrait with Wings'. 

Smith's meticulous artwork and colors are finally well-served by a Marvel publication, in terms reduced editorial oversight; quality resolution and color separations; and the choice of 'slick' grade paper.

Archie Goodwin's 'Overview' column praises 'The Beguiling', one of several Windsor-Smith features in this issue. 



'The Beguiling' represents Windsor-Smith's fascination and admiration with the Pre-Raphaelite artist school of 19th century Britain, and Edward Byrne-Jones in particular. Up until the late 60s the Pre-Raphaelite artists had been utterly ignored - even dismissed - by the art establishment, but in part due to the efforts of artists like Windsor-Smith, a new appreciation for the school had gained momentum.

Smith's artwork is a homage to Byrne-Jones's masterpiece, the four-painting series titled 'The Legend of the Briar Rose' (1885 - 1890); this one is titled 'The Briar Wood'.


Posted below is 'The Beguiling'. A case could be made that this was one of the high points not just in the publishing history of Epic Illustrated, but in American comic art / graphic art of the 1980s.........








Batman: Digital Justice

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Batman: Digital Justice
by Pepe Moreno
DC, 1990



It was 30 years ago next month (i.e., March, 1985) that the first 'digital' comic strip, Shatter, was published in the PC magazine Big K............


In December of that year, First Comics released the first issue of a dedicated Shatter color comic book series, which eventually lasted for 14 issues.

Marvel, noticing the high sales of the initial issues of Shatter, hired its artist, Mike Saenz, to produce Iron Man: Crash in 1988. Crash was advertised as the 'world's first digital graphic novel.'



DC eventually entered the digital comics market two years later, with its own graphic novel, 'Batman: Digital Justice.'

As indicated in the jacket flap, 'Justice' was composed on a Mac II with 8 MB of RAM, 45 MB of hard disk space, and a Trinitron 19 inch monitor ....a high-end setup for the late 80s !


Pepe Moreno, author and artist of 80s comics favorites like 'Rebel' and 'Generation Zero', took a year to complete 'Justice.' Given that Moreno was a more accomplished artist than Saenz, and was working with more advanced computing equipment, 'Justice' - not surprisingly - is the better-looking of these early digital comics.


'Justice' is set in the early 21st century; a time when hardly anyone remembers the legend of a caped crusader named Batman. Law enforcement in Gotham City has been modernized, relying on a system of ubiquitous, hovering drones to deter crime and punish evildoers.


James Gordon's grandson - also named James - is a sergeant on Gotham's police force. As 'Justice' opens, Gordon is in plainclothes, and pursuing an illicit drug transaction, when a drone lays waste to perps and police alike.

Outraged, Gordon starts an investigation of the drone's programming, which leads to a direct rebuke from his superior officers. Continuing his investigation through covert channels, Gordon discovers that a rogue AI - the digital embodiment of the long-ago super villain 'The Joker' - is in control of the city's computer network.



Stymied by a bureaucratic coverup, corruption in City Hall, and the deaths of close friends and associates, James Gordon finds himself alone and embattled......


However, when he pokes through some of his grandfather's old files, Gordon comes across knowledge that may turn the tables on the Joker.....knowledge about the legend of Batman........


I won't disclose any spoilers, save to say that Batman - and a reincarnated Robin, and a reincarnated Catwoman - will soon be dispensing digital justice on the evil forces, digital and 'real', besieging Gotham City.



To anyone under 30, obviously the computer-drawn and colored artwork in 'Justice' is going to appear crude. However, if you are willing to make allowances for the limitations of the technology at that time (keep in mind that today's XBox One is a more powerful PC than anything available in 1989), you will find that Moreno succeeds in giving 'Justice' a unique look and atmosphere, and the graphic novel retains its artistic appeal even to the present day.

Copies of 'Batman: Digital Justice' can be obtained for reasonable prices from your usual online vendors (I got mine for $5, from the discount bins at my local comics shop). It's well worth picking up.

Book Review: Joshua, Son of None

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Book Review: 'Joshua, Son of None' by Nancy Freedman


2 / 5 Stars

'Joshua, Son of None' was first published in 1973 in hardback; this Dell paperback (237 pp) was published in August, 1974.

The book's main premise is laid out on the first page, so it's not spoiling anything to say that it involves the cloning of President John Fitzgerald Kennedy.


'Joshua' starts its narrative in the afternoon of November 22, 1963. Thor Bitterbaum is a young resident at Dallas's Parkland Hospital; just as he is departing his shift, a Lincoln convertible veers into the hospital's emergency room driveway.....its back seat a 'slaughterhouse'. Bitterbaum is recruited to administer emergency care to the dying President. He quickly realizes that Kennedy is beyond saving, and the unique promise that JFK held for the future of America, and the future of the entire World, is Gone. 


Then an idea forms in Thor Bitterbaum's traumatized mind: can the recent research into cell biology and embryology be leveraged for a holy and righteous cause......the cloning of JFK ?

Bitterbaum covertly samples some tissue from the dying man's tracheotomy, flash-freezes the sample, and places it in storage......and then he sets off a momentous task to find a man with the wealth, vision, and willingness to fund the cloning.


After careful deliberation, Thor BItterbaum finds a patron, the magnate Gerald Kellogg. With the aid of a surrogate mother, the infant- christened Joshua Francis Kellogg - is born. Then begins the most difficult part of the entire experiment: raising Joshua in such a manner as to duplicate all of the critical events of his donor's life, thus preparing him for his role as Savior of Mankind. These efforts dominate most of the book's middle chapters.


As Joshua reaches manhood in the early 1980s, and everyone comments on his startling resemblance to late JFK, concealing the truth of his origins become harder and harder to maintain.....and Gerald Kellogg's covert efforts to manipulate the life of his adopted son become ever more calculating and amoral. However much Thor Bitterbaum rues these actions, he finds he cannot contradict them....and the biggest subterfuge in modern history comes to its fateful conclusion.........


In 1973, the year 'Joshua' was written, JFK still was a secular saint in the consciousness of the American psyche. Accordingly, modern readers are going to have to negotiate page after page of a reverential, even worshipful, treatment of what we now know is the Mythology of Camelot; this tends to dilute the narrative of any real tension, since everything the clone does is Kind and Good. Indeed, reading 'Joshua' is simply a matter of observing a series of incidents designed to showcase the courage, fortitude, thoughtfulness, compassion, and selflessness of the reincarnated JFK.

The book's main drawback is author Freedman's regular use of extended passages of figurative prose designed to impart a kind of mystical, other-worldly Sense of Destiny to the actions of Bitterbaum and later, Joshua. The stilted, self-consciously 'poetic' wording of these passages makes them awkward and unrewarding to read.

The novel does have some near-future sf content, which is couched in decidedly optimistic terms; this is in keeping with the theme of JFK as the Man of the Future, a new paradigm for not just American, but World, governance.

Summing up, 'Joshua, Son of None' has an interesting premise, but when all is said and done, it is simply another wistful, starry-eyed examination of The New Frontier that could have been. I really can't recommend it for anyone other than those with a dedication to the sf subgenre of 'cloning' novels.

Hive by Paul Kirchner

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'Hive' by Paul Kirchner
from Heavy Metal magazine, January 1980

A classic from the Old School days of HM.....it does more with its 7 pages than entire comic books do nowadays. Note the use of the external narration to inform the reader what is taking place, and the care with which the dialogue is used in a sparing manner in order to advance the story. These skills are sorely lacking in many contemporary comic books, where external narration is regarded as aiding and abetting the sin of 'telling rather than showing'.......








Void Indigo issue 2

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Void Indigo
by Steve Gerber and Val Mayerik
issue 2, March, 1985
Marvel / Epic

The fact that it takes four months for the second issue of Void Indigo to appear suggests (correctly) that this title is in trouble....and Indigo was indeed cancelled after this second issue was released.

It's not too hard to see why Marvel's management decided to pull the plug. Gerber's plotting for the second issue is even more incoherent than what what he provided for the first issue. And Val Mayerik's artwork is even more rushed and makeshift (is the drawing of the girl in the bearskin dress on page 8 an example of truly awful foreshortening.....or does she really have a Giant Head ?!).

But.....the California craziness continues unabated: we have a nude hand-to-hand combat with a naked fire-angel (?!); a doctor gets all the skin on his hand burned off; there is a super-cheesy out-of-the body-segment involving Linette (who, of course, is nude); and the book's final page is a LOL experience......toss in truly bad 80s fashions.......and all of it makes me wish the final four issues had indeed been published in those long-ago days of 1985......


































Book Review: Siege

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Book Review: 'Siege' by Edwin Corley

 
celebrating Black History Month 2015


 3 / 5 Stars

Here at the PorPor Books Blog, we like to celebrate Black History Month by reading a book - fiction or non-fiction - that illuminates the Black Experience.

For Black History Month 2015, our selection is 'Siege' (349 pp), published by Avon in January, 1970 (the cover artist is uncredited).

The novel is set in the USA, ca. 1969.

'Siege' opens on an intriguing note: in the early morning hours of August 30, the bridges connecting Manhattan with the rest of New York and New Jersey are being blown up. The major tunnels connecting the island with the mainland also are being demolished. As Manhattan wakes up, its stunned citizens will discover that their island is under occupation - by the 'Afro-American Army of Liberation'........... !

After that prologue, the novel goes back in time by several years in order to introduce the cast of characters and their machinations: 

William Gray is a black militant and revolutionary, and a man convinced that only violence will change the minds of whites. His goal is to force whitey - by any means necessary - to provide blacks with their own nation within the boundaries of the USA.

Major General Stanley Shawcross, known throughout the Army by his habit of wearing two grenades on his chest, is one of the most decorated black officers in the Army. But as his tour in Vietnam brings him into contact with aggrieved black soldiers, he is starting to question why blacks should shed their blood in a fight against the yellow man, when in America, blacks are continually treated as second-class citizens.

Raymond Carpenter is a celebrated poet, journalist, and activist. His hatred of whites is deep and abiding, and Carpenter will do whatever is necessary to bring down the power structure, and replace it with one more amenable to blacks.

The Reverend Abner Greenbrier (a stand-in for Martin Luther King, Jr.) is convinced that peaceful protest can bring about an end to racism, and the oppression of the black man. But as the decade of the 60s wanes, he finds his negotiation-based approach to race relations rapidly falling out of favor with blacks who want change - and want it now.

Karen Davis and Laurie Franklin are beautiful, intelligent, liberated white chicks who sympathize with the plight of the black man and the black nation....and neither are averse to getting in on some integrated romantic action, especially when it involves the young black militants who scare their parents and the rest of 'uptight' white America.

As 'Siege' unfolds, these characters will experience tragedy and triumph, and their plan to take over Manhattan island - and force America to reckon with black anger - will come to fruition. But once they have their prize, will they be able to hold it ? 

Because whitey ain't gonna take the invasion of New York City lying down........

I had some misgivings about sitting down with 'Siege', mainly because the other Edwin Corley novel I had read - 1977's 'Sargasso' - was a real dud.

But 'Siege' is much better. The chapters are short and straightforward; the writing is crisp and to the point; the characters are interesting; and the plot does a reasonably good job of keeping the reader's attention.

The main drawbacks to 'Siege' are that too much space is devoted to elaborating the takeover scheme - the seizure of Manhattan doesn't actually take place until page 234. 

'Siege' also suffers to some extent from some rather trite 'Kumbaya' moralizing by the author, who was white. In fairness, this was not unusual for a novel about race relations in the US in the late 60s.

All things considered, however, 'Siege' is an interesting look at how racial tensions, and the rise of the Black Power movement, might have played out in a hypothetical manner. It's a book worth picking up.

Book Review: Faces in the Flames

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Book Review: 'Faces in the Flames' by Peter Tate


0 / 5 Stars

‘Faces in the Flames: Fourth in a Series of Small Wars’ was published in hardcover by Doubleday in April, 1976.

Peter Tate (b. 1940) published a number of short stories and novels in the 60s and 70s, all of them nominally sf. Two of the novels, ‘The Thinking Seat’ (1969) and ‘Moon On an Iron Meadow’ (1974) are part of a loose trilogy – along with ‘Faces’ - featuring the ‘Simeon’ character.

‘Faces in the Flames’ is one of the worst novel’s I’ve ever read. Finishing it was a chore…...I had to ‘whittle’ it down in 10 page increments, over the course of nearly a month, before I finally closed the covers.

The novel is set in the near future – i.e., the late 70s or early 80s – and deals with the political and diplomatic intrigues surrounding the newly established central African nation of Zimbabwe (this is referred to here as a former Portuguese colony, apparently carved out of Mozambique; the ‘real’ Zimbabwe, formerly Rhodesia, came into being in late 1979).

The UN is covertly supporting a ‘liberation’ front in its quest to wrest control of Zimbabwe from the conservative bloc supported by the Vatican (in Tate’s envisioning of the future, vicious religious wars between Catholics and Protestants are waged in third-world nations).

Pope Eugenio, who is Portuguese, sees the crushing of the rebellion in Zimbabwe as his holy mission against the Antichrist; conveniently, it also is a last-ditch effort to preserve some degree of Portuguese hegemony in Africa. To this end, Eugenio is quite happy to have captured rebels burned at the stake in public executions, as a deterrent to recruiting efforts by the rebellion. The rebels, for their part, are happy to respond with atrocities of their own.

As the novel opens, the hero Simeon is in Hampshire County of the UK, grieving over the death of his wife, Tomorrow Julie (trite names are part and parcel of ‘Faces’). Simeon’s history of activism has given him worldwide credibility as an interlocutor in political affairs, and he soon discovers that the agents of the Vatican, and the agents of the rebellion, both are intent on recruiting him to further their cause. 


The agents of the Vatican, led by an operative named Prinz, are the more ruthless and amoral of the competing factions, and they have no qualms about using violent methods to gain their objectives.

As the plot unfolds, Simeon discovers that the loss of his wife is but a prelude to a wrenching series of events that will see him make a decision to side with one faction or the other…. And either choice will endanger his life.

‘Faces in the Flames’ is only superficially sf; most of the plot is a poorly-sketched framework upon which the author hangs page after page of tedious, wooden conversations. 


Compounding Tate’s deficiencies as an author is his writing style, one that that can best be described as ‘stilted’, relying as it does on a relentlessly graceless mélange of slang; empty sentences; clumsy metaphors; and a habit of regularly and awkwardly inserting ALL CAPS words to communicate emphasis to the reader. 

Simeon, and the others among the cast of characters, are so forgettable, that by the time I completed the first third of the novel, I had lost all interest in them.

It remains a mystery to me why Peter Tate somehow managed to publish six sf novels during the interval from 1969 - 1979 ; I recognize that during the New Wave era, many poorly written novels were embraced and endorsed by editors anxious to demonstrate their credentials in promoting ‘speculative fiction’. But even so, someone should have delivered a polite Rejection Letter upon receipt of the manuscript of ‘Faces in the Flames’.


This one is best avoided.

Snake Plissken action figure

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Snake Plissken action figure
NECA, February 2015



Action figure and action movie fans will both rejoice at this fantastic Snake Plissken retro doll based on the 1981 John Carpenter film Escape from New York ! Featuring the likeness of actor Kurt Russell, this Escape from New York Snake Plissken 8-Inch Retro Clothed Action Figure is poseable, and dressed in fabric clothing similar to the toy lines that helped define the licensed action figure market in the 1970s. Snake wears his iconic camo pants, muscle tee, and assault boots, and comes with a removable jacket, holster belt, and enough weaponry to take down a small army! Blister card packaging with removable protective clamshell.

Sandkings graphic novel

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Sandkings
The graphic novel
Adapted by Doug Moench (writer) and Pat Broderick (art)
DC Comics, 1987


George R. R. Martin is of course well-known to contemporary readers of sf and fantasy literature. 'Way back in the late 70s he was a rising star in sf, primarily due to his short stories. 

The August, 1979 issue of Omni magazine featured his story 'Sandkings'.



[A television adaptation of the story was later aired in 1995 on the Showtime anthology series The Outer Limits.]

In 1987, DC Comics published the graphic novel adaptation (48 pp), part of its series of sf-based graphic novels.

The main character in 'Sandkings' is a young, wealthy, man-about-town named Simon Kress. Kress is a sadist, who enjoys acquiring carnivorous aliens as pets ('....I feed my shambler a litter of kittens').
In search of a pet that is even more exotic and dangerous than the ones currently in his inventory, Kress acquires Sandkings, small ant-like creatures with considerable intelligence.

Kress sets up a large terrarium in his living room and soon begins to play 'God' to the Sandkings.


Kress invites his social circle to visit his home, to observe the Sandkings; this enhances his reputation among the city's smart set.



Kress embarks on an extensive series of 'bug wars', pitting his Sandkings against a variety of animals, all for increasing monetary stakes.



As the weeks roll past, Kress becomes increasingly obsessed with his unusual pets, an obsession that eventually edges into mania.

But his unhinged state has its consequences....and the Sandkings escape their cage. Kress is forced to confront the unpleasant possibility that his erstwhile pets are no longer his to command.....



I won't disclose any spoilers, save to say that for Simon Kress, things are going to get worse before they get better.....



The original 1981 paperback anthology that contained 'Sandkings' now fetches exorbitant prices, so this graphic novel may be a more affordable way of taking in the story. I can't say that Pat Broderick's artwork is well-suited to the story; its style is to representative of the type of artwork that appeared in 80s superhero titles. But overall, the graphic novel is a faithful adaptation of the story, which in its time was a worthy treatment of the alien / monster theme. if you're a fan of Martin's work, or a fan of 80s sf, then it's worth searching out.

The Hacker Files issue 1

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The Hacker Files
by Lewis Shiner (story) and Tom Sutton (art)
issue 1
DC Comics, August 1992



Science fiction / speculative fiction author Lewis Shiner wrote a number of comic book series for DC in the 1990s, starting with 'Time Masters' in 1990, followed by 'The Hacker Files' in 1992, and 'Vermillion' in 1996.

1992 was of course the apex year for the Early 90s Comics Boom, and DC and Marvel were flinging out new titles every month. But this was also a time when cyberpunk, hackers, and the hacking subculture were emerging as pop culture phenomena. So it wasn't too surprising when DC's management decided to act on Shiner's suggestions and release a comic book about ....well......... a hacker.




As Shiner notes in his introductory essay to the series (appearing in lieu of the Letters Column for issue 1) with 'Files' he is intent on a humanistic approach - making the hacker, rather than the computers, the focus of the story. Jack Marshall, the hacker in 'Files', is depicted as a scruffy, antisocial maverick who has little patience with Authority, but Nonetheless Has His own Principles to Which He Stays True. 

This might have been too idealized a portrait, but then again, Shiner was attempting something rather offbeat (even if the book was set in the DC Universe) by having a social outcast as hero.



In his introductory essay, Shiner indicates that he and DC editor Bob Wayne want their Hacker aesthetic to be readily distinguishable from DC's more conventional, superhero-oriented titles (this was something of a big departure from the company's 'normal' approach to comic book design at the time.....DC's more 'adult' imprint, Vertigo, wouldn't be launched for another year yet). 

However, the big weakness of 'The Hacker Files' is the artwork by Tom Sutton. Sutton's pencils are too loose and sketchy to be really effective, particularly for a book that can't rely on the types of frenetic action scenes that typify superhero comics. 



Sutton couldn't draw human faces very well, a major drawback for a book that revolved around depicting face-to-face conversations and interactions. 'Files' is further hampered by use of a murky color scheme from Lovern Kindzierski / Digital Chameleon. 


In future issues of 'The Hacker Files', Sutton's artwork would deteriorate even further............

But......... enough of the Aesthetic Arguments. Below I've posted the first issue of 'The Hacker Files', which features the first installment of the 'Soft War' four-issue story arc. 

(I'll  be posting the three following issues of 'Soft War' here at the PorPor Books Blog)


























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